CORALS
Composed theatre for percussions, flutes, saxophones, voices, electronic and electromechanical devices, multi- screens, speakers and smartphones.
4 hours ongoing performance in a gas station for cashier, cleaner, security, car mechanic, highway, cardboard boxes, customers and ghosts.
In a gas station, coffee is drunk, sugar is refuelled, gone to the toilet, a car is repaired, gasoline is tapped and driven off again. Basic needs and the global circulation of goods meet here just as much as human actions and electromechanics, travel fantasies and fossil energies. Staff and customers fulfil their functions; everyday life repeats itself forever. In this post-human ecosystem, music and attention have to be reinvented. From unimagined sound symbioses, a radically organic chorale may reverberate, celebrating our common life and its fragility.
pc: lea huser
kollektiv iиterиatioиal
totem
>PORTFOLIO/CV
2024
Melia Roger
See the whale (baleen)
Endless2
2023
Tracy September
Electric Unconscious (C:Quevillon)
baleen Hong kong
corals Geneva
2022
cinna peyghamy
music festival bern
viviane wang
lara stanic
corals zürich
hamster and the dame
le grand plongeon tour
2021
sonic-matter
kaspar könig
passagen
lukas huber
aio frei
maximilian witcher
2020
medusen Zürich
festival rümlingen
charles kwong
ko-operator
antoine chessex
simone keller
2019
florent caron darras
charles quevillon
numu
baleen Zürich
tilde
2018-2015
pinyin
the riot
Email us
Instagram us
©2024
kollektiv iиterиatioиal totem
>PORTFOLIO/CV
2024
Melia Roger
See the whale
Endless2
2023
Tracy September
electric Unconscious
baleen_hk
corals_geneva
2022
cinna peyghamy
music festival bern
viviane wang
lara stanic
corals
hamster and the dame
le grand plongeon tour
2021
sonic-matter
kaspar könig
passagen
lukas huber
aio frei
maximilian witcher
2020
medusen
festival rümlingen
charles kwong
ko-operator
antoine chessex
simone keller
2019
florent caron darras
charles quevillon
numu
baleen
tilde
2018-2015
pinyin
the riot
Email us
Instagram us